Skinned to the Bone:
Aggressive Music in the Contemporary World
and
Colin Helb
Table of Contents
Foreword:
Jeremy Wallach, Ph. D, Bowling Green State University
Food For Thought:
Sid Vicious’s Cannibalization of Sinatra’s “My Way”
Evan Ware, University of Michigan
Wrath from the Left:
Punk Goes Political at the Dawn of the Dead Kennedys
Jonathan A. Berz, Freelance Music Writer
Let the Shillelagh Fly:
Dropkick Murphys and Irish Hybridity in Punk Rock
Sean Ahern, Bowling Green State University
Am I Evil?
The meaning of metal lyrics to its Fans
Mika Elovaara, Ph. D, University of North Carolina, Wilmington
Controlled aggression:
the civilizing of heavy metal rituals
Gary Sinclair, Ph. D, Dublin Institute of Technology
From demonic possession to the musical growl:
Scanning “monstrous” voices
Marcus Erbe, Ph. D, University of Cologne
Heavy Metal music in the Caribbean setting:
Social practices and meanings of music at the periphery.
Nelson Varas-Diaz, Ph. D & Eliut Rivera-Segarra, University of Puerto Rico
No Fun:
Noise Music, Avant-garde Aggression, and Sonic Punishment
Ross Hagen, Ph. D, Utah Valley University
The Last Report: Throbbing Gristle and Audio Extremes
Brian Cogan, Ph. D, Molloy College
The Time is Right to Set Our Sight on Salvation: Hardcore Punk and Krishna Consciousness.
Colin Helb, Ph. D, Elizabethtown College
Aggressively Weird: The Butthole Surfers Shred the West Coast, 86-91.
Michael Lupro, Ph. D, Portland State University
The Cult of Hellmouth: The Success of Contemporary Hardcore
Eric James Abbey, Oakland Community College
Afterword:
Eric James Abbey, Oakland Community College
Index
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